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  • Best of the West 2024

    Cornwall Film Festival 2024 Best of the West Short Film Programme Film Programme 2024 Talks Festival flyer Industry VR & AR Best of the West Internationals UK Shorts Student Shorts Cornwall My Home Artist Moving Images Best of the West short films Nov 21, 2024 8:00 PM @ The Poly Tickets Films from around the globe, screening at this years edition of Cornwall Film Festival This programme is supported by and will be introduced by Jess Wheeler BFI NETWORK Talent Executive SPINES Directed by Joseph Inman Deep in rural Cornwall, autistic Thomas loves to read. Retreating from a world he finds sensorily challenging, he spends all day buried in books, telling himself stories of heroes and epic quests. When a flying football starts a new friendship with sporty Agnes, Thomas initially finds it hard to relate and let her into his world. This distance between them means that Agnes becomes bored with Thomas’ storytelling, forcing Thomas to use his incredible creativity to make new stories for them both. Through their burgeoning relationship, he learns how to express himself creatively, empathise and learn from others, making his unique experience of the world around him more understandable and manageable. Exchange Rate Directed by Emma Stansfield A mother struggling to make ends meet, details the incremental sacrifices she will make to give her daughter a brighter future. Rodent Directed by Joe Fereday A rat transports us through the last vestiges of humanity as it forages for food for its family. Confronted by a formidable threat, we discover the true magnitude of recent global events. Multi-Storey Directed by James Barlow Sat in an empty multi-storey car park a dad attempts to reconnect with his daughter, before being interrupted - by two medieval knights. Dolls Directed by Robyn Egan A coming of age comedy, set in the early 00s, Dolls tells the story of Cherry and her unsolicited collection of judgemental porcelain dolls as she explores her transition into sexual maturity and faces the anguish of leaving her childhood behind. Bal Maiden Directed by Aella Jordan-Edge In an 18th century Cornish tin mining community, two isolated young women risk their lives to break free from abuse after a local miner pushes them to breaking point. I Want This Directed by Micha Colombo An overwhelmed mother is lost within her daily life until a midnight moment in nature helps her to find clarity. Clan Directed by Jaime Lock On the Isles of Scilly at a Christening party in the local pub, 16-year-old trans teenager, Cam, feels awkward and out of place in his small island community. When Teän (20) arrives, confident and unashamedly out in their non-binary identity, Cam finally feels seen. Their presence sparks something more sinister for Cam’s older brother, Jago, who causes a scene in the pub. To heal, Teän and Cam escape and walk the coast path. They end up on the beach, where Teän has a plan to make their trans mark on the island. Goodbye, Goodbye, Goodbye Directed by Annie Hammond A daughter makes a long postponed visit to her mother, set against the north Cornish coastline. Mr Lamb Directed by Paul Morel A successful business man returns to Dartmoor to fulfil a reckless promise made in a moment of desperation some eighteen years before. The Hold Directed by JD Donnelly A real-time journey through the past and present of champion free-diver Alice Hickson as she fights the need for oxygen during her record 7min30 breath hold.

  • Sponsors | Mor Media Charity

    Cornwall Film Festival could not be put on without the help of our generous local and international sponsors. Sponsors Cornwall Film Festival could not be put on without the help of our generous local and international sponsors.

  • Community | Mor Media Charity | UK

    Events | Mor Media Charity | Encouraging Creativity and Culture to Thrive in the Digital Arts through events, education, community and industry projects. Our Community Projects Our community projects in Cornwall work with hard to reach groups who face social, cultural or economic exclusion from the richness of media culture with a focus on improving the health and wellbeing of communities. Coronavirus Stories Stories of ordinary people living t hrough extraordinar y times! Two oral history and visual projects documenting the lives of Cornish communities during the pandemic. By contributing to this shared history of the pandemic, we hope to bring the community closer together and discover the incredible diversity of experiences and perspectives that can be found behind every door on every street. Read More > Inclusive workshops Quality, fun learning We hold family learning, young people and children's workshops with several of our projects, from film to animation to digital literacy. If you are interested in us hosting a workshop, don't hesitate to get in touch with us. We have trained teachers with enhanced DBS staus. Picturing the Highstreet A visual history project Mor Media worked with Photoworks and Historic England to invite you to look at the high street as never before. The photos contributed to a photographic archive of the English high street; charting and celebrating the history and experiences of the people and places that make up an often-overlooked fixture in all our lives. Sarah at Picket's Yard David at No.27 Tom and Ro at No.10 Mel at No.12 Angie at the Famous Barrel Annie at Picket's Yard Nick at No.50 Tim and Sarah at No.22 Matt and Sue at No.34 Lou at No.42 Zoe Nemos Ben and Hannah at No.36 Sarah and Elizah at No.30 Dave, Clare and Emma at No.38 Nick at No.22 Pete and Leah at No.49 Available on all music & podcast platforms ... Cinema hire Hire us to run your event! Cornwall Film Festival started the community cinema programme in Cornwall, now called CFlym. We are experts in cinema hire equipment, consultancy, film licences for venues and can run a stanalon event for you. Get in contact. Mass Observation Project Become a Mass Observer Each year we work with the University of Sussex to support the Mass Observation 12th May diary day, recording voices from Cornwall in this important national archive of everyday life. What to get involved ? Readmore Black Tide : The SS Torrey Canyon Oil Spill Marking the 60th anniversary of Britain’s worst shipping disaster, Black Tide explores the impact of the 1967 SS Torrey Canyon oil spill off the Cornish coast. Mor Media Charity is gathering stories from those who lived through the environmental catastrophe and the clean-up effort that followed. This project honours the resilience of Cornish communities, raises awareness of the disaster’s long-term effects on people and nature, and connects past and present through a powerful storytelling.

  • Talks 2024 | Cornwall Film Festival

    See all the speaker's profiles at the Cornwall Film Festival 2024. From writer to directors to producers they are all here ! Talks at Cornwall Film Festival 2024 Talks, discussions and events - jump to the speaker profile below Mike Leigh Mark Kermode Mia Bays Dean Puckett Alice Lowe Bryony Stokes Nikolay Nikolov & Zachary Alfred Claire Peate Judith Noble Linda Williams Mike Leigh Saturday 23rd November 7.30 pm Gala - Hard Truths with Q&A Hard Truths, his sixteenth feature screens at the Festival and we are delighted to welcome our Patron and acclaimed filmmaker Mike Leigh to discuss his five-decade career. He started out in theatre in the mid-1960s before transitioning to television drama, which saw productions of his plays Nuts in May (1976) and Abigail’s Party (1977). The varying quality of TV production saw Leigh prefer to work on theatrical features, such as his debut Bleak Moments (1971) and his 1983 follow-up Meantime, a scathing portrait of Thatcher’s Britain. High Hopes (1988) and Life Is Sweet (1990) perfectly encapsulated Leigh’s balance of characterisation and social comedy, which can also be seen in Career Girls (1997), All or Nothing (2002), Happy-Go-Lucky (2008). Secrets & Lies (1996) is arguably the apotheosis of this style. It won the Palme d'Or at the Cannes Film Festival, Best British Film at the BAFTAs and was nominated for five Academy Awards. Another acclaimed film, Naked (1993), is arguably the filmmaker’s most splenetic attack on the British establishment and a drama of great verve and striking visual style. By contrast, Another Year (2010) saw Leigh grapple with the passage of time and is underpinned by profound compassion and mordant humour. Alongside his contemporary-set films, Leigh has produced a handful of period dramas whose canvases are as rich as they are potent in the themes they explore, from Vera Drake’s (2004) painful portrait of a well-meaning backstreet abortionist and Peterloo’s (2018) recounting of a dreadful episode in British history, to Topsy-Turvy’s (1999) exuberant portrait of Victorian theatrical partners Gilbert and Sullivan, and Mr. Turner’s (2014) visually rich, utterly engrossing study of one of Britain’s greatest painters. Tickets Mike Mark K Mark Kermode Screen Talk Host Mark Kermode is a writer and broadcaster. Film critic for The Observer, and co-presenter of Kermode and Mayo's Film Review on BBC Radio 5 and The Film Review on the BBC News channel. He is the author of several books including Hatchet Job, It's Only a Movie, and The Good, the Bad & the Multiplex, and two other BFI Film Classics volumes on Silent Running and The Shawshank Redemption. He presents Mark Kermode Live in 3D at the BFI explores, critiques and dissects movies, usually joined by a special guest or two! . Mia Mia Bays Friday 22nd November 7.15pm BIRD Presented By Mia Bays Director of the BFI Film Fund Mia Bays is the Director of the BFI Film Fund, a position she took up to reshape the future of UK cinema by supporting new talent, diverse voices, and innovative storytelling. With over 30 years of experience, Mia has been an Oscar-winning producer, distributor, and passionate advocate for inclusivity and artistic vision in filmmaking. Known for her commitment to championing underrepresented voices, Mia aims to make the BFI Film Fund a more dynamic, responsive space for filmmakers to flourish Tickets dean Dean Puckett The Severed Sun Fri Nov 22, 2024 5:00 PM @ The Poly Dean Puckett is a British writer/ director. He recently wrote and directed his debut feature ‘The Severed Sun’, which was developed through BBC Films, Creative England and the BFI. His short films have screened at festivals around the world including Sitges, BFI Flare, FrightFest, Encounters, Palm Springs Shorts Fest and more! He is currently developing a slate of feature film projects including ‘Seagull’, a vampire movie with BFI NETWORK, Rebecca Wolff & Early Day Films, and ROT, A high octane body horror with Qwerty Films. Tickets Alice Alice Lowe Timestalker Sat Nov 23, 2024 5:00 PM @ The Poly Alice Lowe is an English actress, writer and director. She began her career in experimental theatre but is well known for her work in TV comedies such as ‘Little Britain’, ‘Darkplace’ and ‘Sherlock’. Her film credits include Edgar Wright’s ‘Hot Fuzz’ and ‘Sightseers’ which she also co-wrote. In 2016, she made her directorial debut with her comedy slasher Prevenge, which screened at Venice, TIFF, London, and SXSW. This year, she is back writing, directing and starring her latest project, the equally ambitious and genre-defying ‘Timestalker’. Tickets Bryony Bryony Stokes #Climtescam? Mon Nov 18, 2024 7:30 PM Bryony has worked in Cornwall as a videographer for 10 years specialising in documentary environmental films. She has filmed as an independent film maker for NGOs, charities and other organisations such as Greenpeace, the Centre for Sustainable Energy, Rame Peninsula Beach Care, the Peninsula Trust and Exeter and Falmouth Universities. Previous to her move to Cornwall she worked for eight years in London for production company Salt Pictures, working as associate producer on projects in Bethlehem, Kenya and London. She then went on to work as Producer Director at CTVC, heading up over 500 short online films to start up Truetube, now a BAFTA-winning free online educational platform producing documentary, drama and animation films aimed at teachers, students and young people. Tickets Clare P Claire Peate The Colour Room Fri Nov 15, 2024 7:30 PM @ INTO Bodmin Claire Peate is a BAFTA-winning screenwriter and novelist, best known for her film ‘The Colour Room’ (2021), which starred Bridgerton's Phoebe Dynevor. The film tells the story of Art Deco designer Clarice Cliff and earned Claire the prestigious BAFTA Rocliffe Award for her screenplay. Her work on the film also led to a nomination for the Debut Screenwriter Award at the British Independent Film Awards. In addition to her success in screenwriting, two of her books were selected as WHSmith’s "Pick of the Week," and she has been a featured speaker at the Hay Festival. Excitingly, Claire also has two films in pre-production in the UK and US! Tickets Nikolay Nikolov & Zachary Alfred Pipe Dream Sun Mon Nov 18, 2024 7:30 PM @ The Poly Nikolay Nikolov was born in Sofia, Bulgaria, shortly after the fall of the Berlin Wall. With interests in politics, philosophy, and art, he moved to the UK to study political science and international relations, earning his PhD with a dissertation on post-Soviet architecture. His career in video production began at AJ+ and later Mashable, where he produced several video pieces about large public art installations and kinetic sculptures. In 2022, he joined The New York Times as a senior video journalist. He lives in London. Zachary Alfred was born and raised in Montana. In 2012, he joined Al Jazeera English as an interview producer and two years later helped launch global social media publisher AJ+. After earning a master’s degree in Digital Media and Society in Sweden, his career focus shifted to content production and social media strategy at Swedish truckmaker Scania, where he produced award-winning editorial content. Since 2022, Zachary has dedicated his career to communications for climate and sustainable industrial transformation. He lives in Stockholm. Tickets Virtual Q&A with Theo Jansen Nikolay Nikolov & Zachary Alfred Linda Professor Linda Williams Bird with Mia Bays Friday 22nd November 7.15pm @The Poly Professor of Film at Exeter University, specialising in post-classical American cinema, British cinema, and classical Hollywood. Author of five books, including The Erotic Thriller in Contemporary Cinema and Contemporary American Cinema. With a focus on gender, sexuality, censorship, and classification. Recently completing a study of Steven Spielberg's Children and co-led a major research project on women filmmakers, Calling the Shots. I also work on women's roles in the UK screen sector and film history through archives and co-curate the Shetland Film Festival Screenplay. Tickets judith Professor Judith Noble Paris, Texas Sun Nov 24, 2024 1:30 PM @ The Poly (RS) Judith Noble is a Professor of Film and the Occult at Arts University Plymouth (UK). She began her career as an artist-filmmaker, exhibiting work internationally and worked for over twenty years as a production executive in the film industry, working with directors including Peter Greenaway and Amma Asante. Her current research centres on artists’ moving image, Surrealism, the occult, and work by women artists, and she has published on filmmakers including Maya Deren, Derek Jarman, and Kenneth Anger. Her most recent publication (as editor) is The Dance of Moon and Sun – Ithell Colquhoun, British Women and Surrealism (2023, Fulgur). She continues to practice as an artist and filmmaker; her most recent film is Fire Spells (2022), a collaboration with director Tom Chick. Her recent work can be found at www.iseu.space . Her film work is distributed by Cinenova. Tickets

  • Outdoor Summer Screening | Mor Media Charity

    Mor Media Charity hosts outdoor film screenings every summer. Outdoor Summer Screenings Our annual outdoor summer screenings in Cornwall are coming soon! Our summer screenings for 2023 will be announced soon. Sign up for our newsletter to find out which films will be screened this summer. Summer 2022 Trailers

  • Best of the West | Mor Media Charity

    The best short films from the South West! < Programme Best of the West Various Wednesday 16th Nov | 8pm 2h | South West, UK | Shorts A showcase of the best regional short films. A showcase of regional filmmaking talent from the South-West, including the award winners from the Cornwall Film Festival short film competition. Looking for group discounts? Groups of 5 can receive 10% off their order with the code GROUP5 Lonely Christmas Day Denise Harrison 5m 30 | UK A short, dark animation about curveballs and consequences, this is a film written to accompany the soon to be released Charity Christmas Single "Lonely Christmas Day" Lethytep: A Cornish Wildlife Haven Gemma Gilbert 10m 21 | UK A documentary showcasing the tremendous efforts of Philip & Faith Hambly in transforming 52 acres of intensively farmed land into a secluded wildlife haven. Lethytep is a sanctuary for many native plant, insect, bird and mammal species. Placenta Pâté Tia Salisbury 12m 33 | UK New mum Libby has breastfeeding woes, but when her wife, Erin suggests a traditional placenta remedy is the answer, underlying tensions rear their head and it's not just the kitchen getting messy. Fleas Elizabeth Huntzinger 12m 04 | UK Adam walks into a sleepy Sunday morning church service, where he does not feel welcome. With the weight of original sin on his shoulders, he attempts to ask forgiveness from God. A fruitless task when he is struggling to forgive himself. Mab Hudel Edward Rowe 11m 41 | UK Enys is a young man who lives and works on a farm with his widowed mother and his grandmother. Like his dead father, Enys is an exceptional rugby player and leads his team to the final of The Cornwall Cup. Not only does Enys have the pressure of filling his dad's boots both on the farm and the rugby field, he is wrestling with a new relationship he is desperate to keep a secret. Awakening from Silence Alex Falconer 9m 19 | UK A woman’s consciousness sparks into life, revealing the real nature of her existence, one she can no longer ignore. Sensibility Ben Kernow 14m 02 | UK The Howard's find themselves on the outskirts of London Society, however the unexpected arrival of a young eligible bachelor, and a Duke at that, offers the promises of a lifetime. The only thing standing in their way are themselves. Lady Howard must do battle with her cohort of un-married children if she is to stand any hope of capitalising on this once a season opportunity of bolstering the families standing within society. Seagull Dean Puckett 5m 45 | UK Seagull is a recovering drug addict who is about to have a very strange night. The St Tudy Inn Finn Brown 7m 33 | UK Punctuated with poetry this insightful documentary explores the personal experience of Julie; a housekeeper of the local pub. Dreamland Charli Whatley 4m 20 | UK Music video for Cornwall based artist Cat Florence. Dreamland has been regularly played on BBC Introducing in the Southwest. This is a no budget music video made by the duo that founded Faded Neon Films - disabled director Charli Whatley, and director of photography and animator Toby Anthonisz. Joe Was 'Ere Ryan Williams Morris 12m 54 | UK This is the story of Joe, an 11 year old boy who dreams of an idyllic relationship with his mother. Set on a council estate, Joe spends his days longingly watching other families and daydreaming of what could be. In reality, Joe’s home is often full of drug pushers and addicts, a real party house. The 7 Rituals of Hesitance and Fortitude Devised and performed by Melanie Young & Caroline Schanche | Filmed by Gil Ratcliffe 19m 50 | UK An atmospheric journey of The Splendid Sisters as they navigate the mysterious journey through grief to resolution. A Village with a View Joseph Inman 19m 59 | UK In wartime Britain, a Lord permitted unused land on Cornwall’s Rame Peninsula to be built on. Tiny chalets appeared, each as individual as its owner, and the community of Freathy came to life. In 2016, with Cornwall’s tourism industry booming, the Lord’s estate announced that they own everything the residents have built over generations. The community were offered the chance to buy their own homes at an extortionate price – most were unable to pay. A ticking time bomb of eviction begins. Best of the West 16 Nov 2022, 20:00 GMT The Poly, Falmouth Details

  • About Animate Helston | Mor Media Charity

    An annual celebration of animation in Cornwall! ANIMATE Cornwall Celebrating animation in Cornwall. About Mor Media is dedicated to promoting the medium of Animation throughout Cornwall! This involves promotion on social media, screenings at Cornwall Film Festival and our yearly ANIMATE Cornwall festival across the county. ANIMATE Cornwall is a yearly project celebrating ani mation in Cornwall. We screen films, hold workshops and more i n partnership with CAST and The Museum of Cornish Life. Through the project, we encourage people of all ages to become more involved in the medium: be it as a viewer or a creator. Together with Falmouth University and Spider Eye (an award winning and BAFTA nominated Cornish Animation Company), we have shared a vast array of animated films with local audiences since 2019. Previously Screened Play Video Play Video 06:45 The Last Knit When knitting becomes an obsession. Play Video Play Video 07:22 Garden Party | Oscar Nominated CG Animation Short Film Exotic frogs enjoy a grand time in an opulent but empty mansion as a dark mystery unravels. ▶️ WATCH SHORT FILMS ➔ https://shortverse.com The most gorgeously realized independent 3D animation in years, this project from 6 students at France's acclaimed Ecole MoPa revels in the delightful play of the frogs, only to cleverly reveal the subtext of their frolic. SUBMIT A FILM: https://www.shortoftheweek.com/submit/ FULL REVIEW: https://www.shortoftheweek.com/2019/10/10/garden-party-2/ GARDEN PARTY A Film by ILLOGIC https://www.bloompictures.tv/ "On paper, the synopsis to Garden Party seems ridiculous, but in reality it’s a stroke of genius as rewarding as the gorgeous animation the film is presented in. Essentially a hilarious romp featuring a group of inquisitive, accident-prone amphibians, this 7-minute short avoids hopping down the path of saccharine sweet anthropomorphism (we see all too much in animation) by blending its delicious dark subplot into proceedings. It’s a move that really lifts this short above and beyond a lot of the other films we see in the genre. Though the clever, unfolding plot was my own personal highlight of Garden Party, it would seem neglectful to gloss over that glorious aesthetic without mentioning it in more detail. From that meticulous opening shot of the frog gliding through the debris-filled pool to that incredibly textured frog rising from the plate of oyster shells, it’s the attention to detail here that truly impresses. It’s not only the frogs that are the carefully considered characters in the design though, the location feels as much of a player in the storyline as any of our long-legged protagonists and if anything it’s the conscientious depictions of the backgrounds that add that extra level to both the aesthetic and that compelling subplot. Screened in the ‘Horror: Thrilling and Chilling’ programme at this year’s Encounters festival (where it was easily the stand-out film of the session), Garden Party has been impressing audiences and juries at festival worldwide throughout 2016 & 2017. Winner of the ‘Best Graduate Short’ at GLAS Animation Festival, ‘Best Student Project’ at Siggraph and a ‘Special Jury Mention’ at Clermont-Ferrand, this is undoubtedly one of the best independent 3D animation’s we’ve encountered in sometime." - S/W Curator Rob Munday CREDITS Directed by: ILLOGIC: Florian Babikian, Vincent Bayoux, Victor Caire, Théophile Dufresne, Gabriel Grapperon, Lucas Navarro Soundtrack: Romain Montiel (Maaav) Reproduced on this channel with permission of the rightsholders Play Video Play Video 07:39 Lost & Found | Shortlisted for Academy Award for Best Animated Short Film ▶️ Submit a Film ➔ https://shortverse.com/submit A knitted toy dinosaur must completely unravel itself to save the love of its life. 🧶 _LOST & FOUND_ by Andrew Goldsmith & Bradley Slabe "This wedding of raw craft and storytelling is quite mature here. Generously funded by Screen Australia, we’re used to stop-motion being a contained craft, executed with models in small spaces, but this film is on a different scale entirely. The character animation is incorporated into a life-size sushi restaurant set that was built from scratch, and this decision pays off in the impressive camera direction that results—the production is able to go wide and really play with perspective and depth of field in a way that is rare for the form." - Curator Jason Sondhi FULL REVIEW: https://www.shortoftheweek.com/2018/12/08/lost-found/ *CREDITS* DIRECTED BY Andrew Goldsmith & Bradley Slabe PRODUCED BY Lucy J. Hayes WRITTEN BY Bradley Slabe DIRECTOR OF PHOTOGRAPHY & MOTION CONTROL Gerald Thompson ANIMATION Samuel Lewis PRODUCTION DESIGNER Rennie Watson FILM EDITORS Andrew Goldsmith John Gavin VFX CREATIVE DIRECTOR Andrew Goldsmith SUPERVISING SOUND DESIGNER Ryan Granger MUSIC BY Adrian Sergovich with Jonathan Dreyfus SET DRESSERS Sophie Hayward, Laura Curtis PROPS MAKERS Samuel Lewis, Laura Curtis, Donna Yeatman SET BUILDER Sophie Hayward SCENIC ARTISTS Aimee Francis, Xin li ART ASSISTANTS Raphael Fantl, Nicholas Issel, Nathan Reardon, Michael Greaney, Eve Gilbert CULTURAL ADVISOR Kei Shiokawa CHARACTER DESIGNER & SCULPTOR Samuel Lewis CHARACTER ARMATURIST Scott Ebdon CHARACTER CROCHET ARTIST Julie Ramsden VFX ASSOCIATE PRODUCER Haley Polacik VFX SUPERVISOR & PIPELINE DIRECTOR Dave Abbott COMPOSITORS Andrew Goldsmith, Dave Abbott, Brent Cataldo, John Gavin, Andrew Montague, Toby Angwin, Damien Dunne, Scarlette Baccini, Trace VFX ROTOSCOPE ARTIST Douglas E Pope COLOURIST Edel Rafferty POSTER PHOTOGRAPHY Patrick Moran END TITLES DESIGNER Rebecca Moore SOUND MIX Dead On Sound SOUND DESIGNERS Ryan Granger, Adam Hunt ASSISTANT SOUND DESIGNERS Shane Jarvie-Kohn, Talia Raso VOICE OF THE FOX Maria Angelico VOICE OF THE DINOSAUR Marc Gallagher SOUND HELP FROM Joel Taylor and The Black Lodge WOODWINDS Stuart Byrne BRASS City of Prague Philharmonic STRINGS Jonathan Dreyfus HARP Genevieve Lang PIANO Adrian Sergovitch SCORE ENGINEERS Jezz Giddings, Damian Enemark, Jan Holzne SCORE MIXED BY Jonathan Dreyfus SCORE RECORDING HELP FROM Craig Harnath for Hothouse Audio James Fitzpatrick for Tadlow Music Laura Bishop for Jigsaw Music Song Zu LEGAL Shaun Miller SPECIAL THANKS Raphael Fantl, Tom Fantl, Dave Abbott, Haley Polacik, John Gavin, Patrick Moran, Samuel Lewis, Gerald Thompson, Justin Donoghue, Nerida Moore, Louise Gough, Nell Greenwood, John Tummino, Darryl Slabe, Matisse Fantl, Sophie McPike https://www.lostandfound.film 7mins / Australia / 2018 Behind the scenes: vimeo.com/256204562 Reproduced on this channel with the permission of the filmmakers. Play Video Play Video 05:30 Negative Space | Oscar Nominated Stop-Motion Animation Short Film ▶️ Submit your Short film: https://www.shortverse.com/submit What it means to lose a loved one told through the art of a well-packed suitcase. _Negative Space_ A Film by Tiny Inventions (Ru Kuwahata & Max Porter) http://www.tinyinventions.com Negative Space is practically perfect. Like so many shorts I admire, the film incorporates multitudes of seemingly contradictory qualities: at a mere 5 minutes, there is really no wasted space, and yet it is exceedingly spare. Based off a celebrated Ron Koertge poem that clocks in at only 150 words, it allows for moments of subtlety and contemplation that are so necessary in visual storytelling—those perfectly blocked shots, held for an extra moment, that drive home the rich emotional interiority of its characters. It’s simultaneously one of the most humanistic films of recent memory, but it also stars no humans. Its stop-motion animation is expressive, detailed and grounded, and yet it has no compunction about taking off on flights of fancy, segueing via delightful transitions into fantastical asides that play with scale and setting - S/W Curator, Jason Sondhi FULL REVIEW: https://www.shortoftheweek.com/2019/07/16/negative-space/ *CREDITS* Director / Writer: Max Porter & Ru Kuwahata Production: Nidia Santiago & Edwina Liard Co-production: Jean-Louis Padis Original poem: Ron Koertge Set Decoration: Ru Kuwahata, Marion Lacourt, Victoria Tanto, Max Porter Puppets: Ru Kuwahata, Satoru Yoshida, Tomas Gebcyznski, Max Porter Animation lead: Sylvain Derosne Additional animation: Eric Montchaud, Ru Kuwahata Cinematography lead: Nadine Buss Additional cinematography: Simon Gesrel, Max Porter Production / Post-production management: Nidia Santiago & Edwina Liard Production Assistants: Philippe Baranzini, Walid Païenda, Fred Borja, Lucile Pellerin, Maxime Lebalanc, Juluien Renrad, Willy Fair Post-Production: Max Porter, Sami Guellai, Pierre Morin, Ru Kuwahata Editing: Max Porter Music & Sound Design:Bram Meindersma **posée et enregistrée avec le soutien de la SACEM en association avec Ciclic Voice:Albert Birney Voice Recording: Keviln Hill, CAS Color Grade:Thibaut Pétillon Sound Mix: Matthieu Langlet —Studio Providers— Voice recording facility: Studio Unknown Decoration: Ciclic Animation Puppets: Moving Puppets Animation: Ikki Inc., Manuel Cam Studio, Tiny Inventions Post production: Ciclic Animation, Ikki Inc. Color correction: Royal Post Sound mix: Eclair Typography: YouWorkForThem Insurance: Gras Savoye Bank: CIC Accountant: Lebrun Audiovisual Distribution: Miyu Distribution Publicist: Fumi Kitahara —Funding— Avec la participation du Centre National du Cinéma et de l’Image Animée – Contribution Financière Avec la participation d’Arte France – Unité de Programmes Cinéma Avec le soutien de la Mairie de Paris en partenariat avec le CNC Avec le soutien du CNC (Nouvelles Technologies en Production) Avec le soutien de la Procirep et de l’Angoa Puffin Foundation Ltd. Marcella Brenner Grants for Faculty Research Development from Maryland Institute College of Art La Maison des scénaristes Negative Space has been supported in production by Ciclic-Région Centre Val de Loire, in association with the CNC. It has benefited of the support for original music creation by the SACEM in association with Ciclic. It has been hosted in Vendôme (France) from June 2nd to September 2nd, 2016, and from December 1st to January 31st, 2017. Ciclic is a public institution for cultural cooperation created by the Centre-Val de Loire Region and the French State. www.ciclic.fr. Year: 2017 Country: FRANCE © Ikki Films / MANUEL CAM Studio / Ikki Inc. This film is reproduced on this channel with the permission of the rights-holders. Play Video Play Video 07:50 The Gift Watch our new trailer shortfilm!: https://www.youtube.com/watch?v=eNsH0TAr_nA Watch the Making of!: https://www.youtube.com/watch?v=8ef6uI5cfMM The Gift is the story of an ordinary couple, when he gives her a small sphere pulled out his chest, she can't separate herself from her new gift… even after they break up. Prizes: -Best Animation and Best in Event, Sound & Image Challenge 2014. Macau, China. -Adult Jury Prize and Kid's Jury Prize, YoungAbout international film festival 2014. Bologna, Italy. -Audience award, Innersound international new arts festival. Bucarest, Rumania. -Best script, Curtmiratges festival, Barcelona, Spain. Finalist “Jury prize” y “Best music”. -Best animated shortfilm. FECLAC 2013. Santiago, Chile. -Best animated shortfilm. Mecal Chile 2013. Santiago, Chile. -Mention animated shortfilm. Unframe festival 2013, La rioja, Argentina. -Special mention. Libélula Fest 2013. Barcelona, Spain. -Honorable mention. Fam Fest 2014. South Carolina, EEUU. -Special Mention, V Festival de Cine: Infancia y Adolescencia “Ciudad de Bogotá” 2014, Bogotá, Colombia. Play Video Play Video 03:37 MAN Animation created in Flash and After Effects looking at mans relationship with the natural world. Music: In the Hall of the Mountain King by Edvard Grieg. "Hall of the Mountain King" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Support me here: https://www.buymeacoffee.com/stevecutts Follow me: https://www.instagram.com/steve_cutts_official https://www.facebook.com/SteveCuttsArt/ https://twitter.com/Steve_Cutts http://www.stevecutts.com Copyright © 2012 www.stevecutts.com Play Video Play Video 06:05 Deleted video Check out our favourite animated films on Letterboxd! Our Partners

  • M3 Mentorship programme | Mor Media Charity

    Improve your knowledge and skillset. Kickstart your career in the creative industry! M 2 Mor Media Internships Programme Work with our team and kickstart your career! Our internships are designed to help you enter the creative industry of your choosing. We provide training and networking opportunities, as well as the opportunity to work on the incredible Cornwall Film Festival! The applications for 2024 will open on 3rd May 2024. Also see our volunteer roles for Cornwall Film Festival 2024 if you are interested in working with us this year. Intern Roles Volunteer Roles About our Internships We are seeking hard-working and enthusiastic individuals who would like an internship with a thriving film and media organisation. We are a media charity that holds an annual film festival, live events, yearly film screenings and programming, runs industry training, masterclasses and talks, education programmes and community projects. Our internship programme is designed to give you real-life experience across a range of industry roles including production; events management; social media; marketing; design; admin and more! We will give you an opportunity to work across all our organisational strands - festival, industry and events, community, education, and charity to gain valuable experience in varied roles within the creative industry. You may work as a production assistant on one of our live events or online masterclasses; a researcher or content creator for our social media; a designer of digital assets for one of our programmes or an event planner for one of our live events. We are looking for adaptable and enthusiastic people who are ready for a challenge and want to try their hand at lots of different roles within the media. Interns will be supported through their time at Mor Media via regular meetings and monitoring via their activity log sheet and development logs. This will also feed into the completion of an OCN Award which will see them complete two units, one will be linked to the creative skills needed to complete work required by the role, and one will be a reflective evaluation on the work they have done during their internship. Become an Intern Work with the Mor Media Team! Are you looking to move into a media career? Are you a recent graduate looking to expand your knowledge and skillset? We will be taking applications for those looking for experience in Graphic Design, Content Creation, Social Media management, Events Organisation, Admin and Comms Assistance, Intern application Volunteer Applications

  • 11 | Mor Media Charity

    The best British independent short filmmakers at Cornwall Film Festival. < Programme Best of British Various Saturday 19th Nov | 11am 1h 45m | UK | Shorts The best British independent short filmmakers at Cornwall Film Festival. Looking for group discounts? Groups of 5 can receive 10% off their order with the code GROUP5 All Girls Anastasia Bruce-Jones 14m 40 | UK Four teenagers head off on a practice walk for an inter-school competition. If they break the record, all their dreams will come true. But none of them are prepared for the consequences of Heather's ruthless ambition. Asylum Neil West 12m | UK A woman risks everything to try and protect an asylum seeker in a totalitarian society in which all borders are militarized. Bugbear Matt Smith 9m | UK As a desperate man tries to raise the money he owes a dangerous criminal, he finds something in the woods that will change him forever Different Day Charlotte Couture 15m | UK Alicia has been the primary carer for her mother and little sister since her early teens. Now eighteen, Alicia secretly starts to make plans to escape her life and go in search of the one she missed out on. But a tragic incident threatens to shatter Alicia's plans, and forces her to make a choice between family duty and her own freedom. The Electricity in Me Mat Sheldon 10m 25 | UK Years after giving up her newborn son for adoption, a woman confronts her trauma and memories of the man she calls 'my monster’. The Operator Matt Riley 20m | UK The Operator follows Michael, a client contact associate as he starts another dull day of business as usual. Connecting long distance intergalactic calls from a remote satellite (not as exciting as it sounds); a bleary eyed and coffee fuelled Michael receives a distress call. No one ever receives a distress call. They barely touch on distress calls during the induction day. Pampas Jessica Bishopp 5m | UK Sexual signalling and suburban myth; what does your front garden say about you? Plants were used in 1970s British suburbia to send seductive signals to neighbours or so rumour has it. A hybrid documentary exploring the truth in the botanical myth; what went on behind closed curtains? A look at sexual signalling, female desire, subcultures, and suburban legend. Something Out of Nothing Marcus Armitage 4m 20 | UK Loss clings like sea air on a woollen jumper. Paul's mother, grieving the loss of her son, reconnects with the St Ives landscape and imparts that loss into a series of sculptures. An original story by Orlando Weeks based on the work of sculptor Barbara Hepworth, and commissioned by the Hepworth Gallery Wakefield. Directed by Marcus Armitage with narration by Maxine Peake. Trigger Renzo Vasquez 9m 46 | UK It's a rainy night out in East London, Claire and Hannah hail a black cab and climb in. Claire glances down and spots a bag neither of them had noticed when they got in. The cab draws to an abrupt halt and the journey accelerates as Mick confronts the girls and we find out just how far they are willing to go to achieve their own goals. The question is... how far is too far? This Little Girl Annette Westwood 15m | UK A mother with a substance misuse issue, has to prove herself on her path to recovery, to prevent her child from being taken away from her and placed into care. The Wanting Alexandros Mattei 18m | UK Adam goes to his estranged father’s wake, avoiding his own estranged daughter’s birthday. There, he meets his step-family for the first time and, getting a different vibe than expected, he wonders whether the old bastard has any more lessons for him. Yummy Mummy Gabriela Staniszewska 14m 30 | UK Ignored throughout her pregnancy, Lilith senses her identity is being smothered by her burgeoning motherhood. Her anxieties begin to have physical manifestations - then she starts to fall apart - literally.

  • Cornwall Film Festival 2022 | Mor Media Charity

    In 2022 we are celebrating the 21st edition of the Cornwall Film Festival with an exciting programme of activities and live events. This year's edition of the festival will take place 14-20 November in Falmouth. Award Winners Our Progamme Programme Brochure The 2022 Lineup Our 2022 festival included a wide lineup of events and screenings sure to appeal to all audiences. Screenings Features & Documentaries Get Involved Join our festival team Into Film Child-friendly screenings Short Film Local and global short film. New Wave Jury Programme Gain experience in film. Pay What You Can Our accessible payment scheme Industry & Workshops Understand the film industry. Passes Enjoy more of the festival FAQ's & Access Information about the festival The CFF Award Winners The Award Winners This year, Mor Media celebrated the 21st edition of Cornwall Film Festival. In 2022 we celebrated the 21st edition of Cornwall Film Festival with an exciting programme of activities and live events. This year's edition of the festival took place 14-20 November in Falmouth. Our core Programme included evening GALAS | SCREEN HERITAGE & ARCHIVE | DOCUMENTARIES | SHORT FILMS Explore the Programme The Poly in Falmouth!

  • FAQ's & Access | Mor Media Charity

    FAQ's & Access We've compiled answers to some commonly asked questions about Cornwall Film Festival below. We also know that some people may have more specific questions, so don't be afraid to ask. Frequently asked questions How do I use my ticket? E-tickets will be sent out on confirmation of your booking. Please keep your email confirmation as proof of booking, you can show the E-ticket, QR code. You don't need to print your ticket - let's support low waste! How much do tickets cost and which one should I get? How much do tickets cost? General Adults £8.50 Seniors £7.50 Children, Students, Under 25's £5 Preview screenings Adults £9.50 Seniors £8.50 Children, Students, Under 25's £7.50 Gala Screenings Adults £14.00 Seniors £11.50 Children, Students, Under 25's £9.50 Pay what you can tickets run from £2 - £10 Do you have any offers and discounts available? To book tickets for the best seats and prices, we recommend you book early. We can offer group discounts for groups bookings - so please bring your friends ! Groups of 10+ receive 15% off for all adults, seniors, preview / gala / special screenings Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings Contact the office to get your check out code info@cornwallfilmfestival.com (please put Group codes in the title) We can not offer group discounts for students or Young people as these are already discounted tickets What is Pay what you can? Pay what you can is our innovative affordable ticket scheme, run successfully over the last 2 editions of the festival. We've found the biggest barrier to attending events is not being able to afford the ticket price. In order to overcome that barrier, we're removing the ticket price and asking audiences to simply pay what they can so we can welcome more people to the festival experience and inspire wider audiences. Here are some handy prompts At the £2 - I have no access to savings - I am under or unemployed - I can not afford time off and rarely afford clothes, cinema & books At £4 - -I often stress about how to pay my bills & don't always achieve them - I am employed but don't have regular hours - I can take time off and do go on holidays & occasionally buy new items At £8 - I can comfortably meet my bills and needs - I own private transport and can afford to fuel it - I have access to savings and have my own property or choose where I rent Can I get a festival pass ? Not this year sorry we have too many events to manage a pass - but please tell us if we need to sort this out for next year ! we are always open to suggestions. Can I book in person? Yes, for events at The Poly, please visit the venue, or call the box office on 01326 319461 What happens if I lose my tickets? Our Box Office team will be happy to help you. Just go to the counter before the event. You may be required to confirm your name, address and payment method. Could you send me a brochure? We are currently sending most of our communications via email & social networks, however, we can post you a flyer of events. If you'd like to receive news about events and other programmes please join our mailing list. If you have any queries you can contact our Office team at info@cornwallfilmfestival.com Monday to Friday, 10am – 4pm. Do you ask for proof of income for Pay What You Want tickets? We WON’T ask you for your ID,proof of earnings or anything else! All we ask is your honesty! Where does the festival take place? The Previews, Gala, Opening & Closing films all happen at our partner venue The Poly in Falmouth, Cornwall. Venue address - The Poly 24 Church St, Falmouth UK TR11 3EG Temperance Hall , 32 Lower Market St, Penryn TR10 8BH Falmouth Art Gallery , Municipal Buildings, The Moor, Falmouth TR11 2RT The Fish Factory , Commercial Rd, Penryn TR10 8AG Into Bodmin , The Old Library, Bodmin, PL31 2JX Princess Pavilion 41 Melvill Rd, Falmouth TR11 4AR Launch Pad Falmouth University, Tremough Campus, Penryn TR10 9FE Newlyn Filmhouse 23-31 The Coombe, Newlyn, Penzance TR18 5HS Falmouth Bookseller , 21 Church St, Falmouth TR11 3EG East Pool Mine , Agar Rd, Pool, Redruth TR15 3ED Will you be putting social distancing measures in place inside the theatre ? We are monitoring the current situation and will take action closer to our event if social distancing measures will be necessary. We work closely with our partners and will follow all industry and kitemark standards to ensure that your visit to our new space is both enjoyable and safe for everyone. Where is the best place to sit? The Poly has raked seating that is accessed via steps and rows of padded seating . Please be advised the space has limited accessible and has lots of steps on entry. Our team are happy to give advice if you have specific seating needs, please drop us an email. I am disabled and require a companion to attend the theatre, what is your Access policy and how do I book?" We understand that some of our customers require assistance to allow them to attend a performance. To ensure this is a possibility, we are pleased to offer a free ticket for an essential companion whenever required. The first time you make use of this service you may be asked to show proof of eligibility. We accept the CEA Card, a national card scheme developed for UK cinemas by the UK Cinema Association (UKCA. Free companion tickets are reserved for those who would not otherwise be able to attend. An essential companion must have the ability to assist the customer in the event of an evacuation or other emergency. What is your screening policy? We do not allow any videos to be taken during screenings. The preview screening will have security - this is requested by the distributor and security staff will be in the screen with night vision goggles. Photo's are allowed of Directors but please do use a flash during a Q&A we ask that you are considerate to our visitors. What are your return and refund policies Under normal circumstances, tickets are non-refundable. If the event you were attending is sold out and we are able to re-sell your tickets to another customer, we can issue you a credit note for the ticket price only (excluding any card transaction & booking fees) Do you have any offers and discounts available? Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings. We can not offer group discounts for students or young people as these are already discounted tickets. I am disabled and require a companion to attend the theatre, what is your Access policy and how do I book?" We understand that some of our customers require assistance to allow them to attend a performance. To ensure this is a possibility, we are pleased to offer a free ticket for an essential companion whenever required. The first time you make use of this service you may be asked to show proof of eligibility. We accept the CEA Card, a national card scheme developed for UK cinemas by the UK Cinema Association (UKCA. Free companion tickets are reserved for those who would not otherwise be able to attend. An essential companion must have the ability to assist the customer in the event of an evacuation or other emergency. Read more about / apply for an CEA card here. I have a specific accessibility query. We are committed to meeting the requirements of disabled people. We want you to get the best from your workshop. If you have an impairment and/or learning difficulty such as physical impairment, mental health difficulty, medical condition, hidden disability, please let us know by emailing info@mormediacharity.org, stating whether you would like to discuss this over email or telephone. We will contact you in confidence to discuss any support you may need. Access FAQ's Frequently asked questions Tickets Venue Screenings Returns & Refunds Discounts Accessibility How do I use my ticket? E-tickets will be sent out on confirmation of your booking. Please keep your email confirmation as proof of booking, you can show the E-ticket, QR code. You don't need to print your ticket - let's support low waste! How much do tickets cost and which one should I get? How much do tickets cost? General Adults £8.50 Seniors £7.50 Children, Students, Under 25's £5 Preview screenings Adults £9.50 Seniors £8.50 Children, Students, Under 25's £7.50 Gala Screenings Adults £14.00 Seniors £11.50 Children, Students, Under 25's £9.50 Pay what you can tickets run from £2 - £10 Do you have any offers and discounts available? To book tickets for the best seats and prices, we recommend you book early. We can offer group discounts for groups bookings - so please bring your friends ! Groups of 10+ receive 15% off for all adults, seniors, preview / gala / special screenings Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings Contact the office to get your check out code info@cornwallfilmfestival.com (please put Group codes in the title) We can not offer group discounts for students or Young people as these are already discounted tickets What is Pay what you can? Pay what you can is our innovative affordable ticket scheme, run successfully over the last 2 editions of the festival. We've found the biggest barrier to attending events is not being able to afford the ticket price. In order to overcome that barrier, we're removing the ticket price and asking audiences to simply pay what they can so we can welcome more people to the festival experience and inspire wider audiences. Here are some handy prompts At the £2 - I have no access to savings - I am under or unemployed - I can not afford time off and rarely afford clothes, cinema & books At £4 - -I often stress about how to pay my bills & don't always achieve them - I am employed but don't have regular hours - I can take time off and do go on holidays & occasionally buy new items At £8 - I can comfortably meet my bills and needs - I own private transport and can afford to fuel it - I have access to savings and have my own property or choose where I rent Can I get a festival pass ? Not this year sorry we have too many events to manage a pass - but please tell us if we need to sort this out for next year ! we are always open to suggestions. Can I book in person? Yes, for events at The Poly, please visit the venue, or call the box office on 01326 319461 What happens if I lose my tickets? Our Box Office team will be happy to help you. Just go to the counter before the event. You may be required to confirm your name, address and payment method. Could you send me a brochure? We are currently sending most of our communications via email & social networks, however, we can post you a flyer of events. If you'd like to receive news about events and other programmes please join our mailing list. If you have any queries you can contact our Office team at info@cornwallfilmfestival.com Monday to Friday, 10am – 4pm. Do you ask for proof of income for Pay What You Want tickets? We WON’T ask you for your ID,proof of earnings or anything else! All we ask is your honesty! Everyone is welcome for an inclusive, relaxed afternoon screening of short experimental films from emerging film-makers based in Cornwall, offering us a glimpse into the artist’s filmmaking process. Working in animation, phytography and 360 video - expect lobsters, techno stones, moss and more! This screening will be conversational with the opportunity for artists to share their ideas for developing work and for audience questions. Experimental Shorts: A New Lens Saturday, November 30, 2024 2:00 PM GMT Kresen Kernow, Redruth Register Ask Frequently asked questions How do I use my ticket? E-tickets will be sent out on confirmation of your booking. Please keep your email confirmation as proof of booking, you can show the E-ticket, QR code. You don't need to print your ticket - let's support low waste! How much do tickets cost and which one should I get? How much do tickets cost? General Adults £8.50 Seniors £7.50 Children, Students, Under 25's £5 Preview screenings Adults £9.50 Seniors £8.50 Children, Students, Under 25's £7.50 Gala Screenings Adults £14.00 Seniors £11.50 Children, Students, Under 25's £9.50 Pay what you can tickets run from £2 - £10 Do you have any offers and discounts available? To book tickets for the best seats and prices, we recommend you book early. We can offer group discounts for groups bookings - so please bring your friends ! Groups of 10+ receive 15% off for all adults, seniors, preview / gala / special screenings Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings Contact the office to get your check out code info@cornwallfilmfestival.com (please put Group codes in the title) We can not offer group discounts for students or Young people as these are already discounted tickets What is Pay what you can? Pay what you can is our innovative affordable ticket scheme, run successfully over the last 2 editions of the festival. We've found the biggest barrier to attending events is not being able to afford the ticket price. In order to overcome that barrier, we're removing the ticket price and asking audiences to simply pay what they can so we can welcome more people to the festival experience and inspire wider audiences. Here are some handy prompts At the £2 - I have no access to savings - I am under or unemployed - I can not afford time off and rarely afford clothes, cinema & books At £4 - -I often stress about how to pay my bills & don't always achieve them - I am employed but don't have regular hours - I can take time off and do go on holidays & occasionally buy new items At £8 - I can comfortably meet my bills and needs - I own private transport and can afford to fuel it - I have access to savings and have my own property or choose where I rent Can I get a festival pass ? Not this year sorry we have too many events to manage a pass - but please tell us if we need to sort this out for next year ! we are always open to suggestions. Can I book in person? Yes, for events at The Poly, please visit the venue, or call the box office on 01326 319461 What happens if I lose my tickets? Our Box Office team will be happy to help you. Just go to the counter before the event. You may be required to confirm your name, address and payment method. Could you send me a brochure? We are currently sending most of our communications via email & social networks, however, we can post you a flyer of events. If you'd like to receive news about events and other programmes please join our mailing list. If you have any queries you can contact our Office team at info@cornwallfilmfestival.com Monday to Friday, 10am – 4pm. Do you ask for proof of income for Pay What You Want tickets? We WON’T ask you for your ID,proof of earnings or anything else! All we ask is your honesty! Where does the festival take place? The Previews, Gala, Opening & Closing films all happen at our partner venue The Poly in Falmouth, Cornwall. Venue address - The Poly 24 Church St, Falmouth UK TR11 3EG Temperance Hall , 32 Lower Market St, Penryn TR10 8BH Falmouth Art Gallery , Municipal Buildings, The Moor, Falmouth TR11 2RT The Fish Factory , Commercial Rd, Penryn TR10 8AG Into Bodmin , The Old Library, Bodmin, PL31 2JX Princess Pavilion 41 Melvill Rd, Falmouth TR11 4AR Launch Pad Falmouth University, Tremough Campus, Penryn TR10 9FE Newlyn Filmhouse 23-31 The Coombe, Newlyn, Penzance TR18 5HS Falmouth Bookseller , 21 Church St, Falmouth TR11 3EG East Pool Mine , Agar Rd, Pool, Redruth TR15 3ED Will you be putting social distancing measures in place inside the theatre ? We are monitoring the current situation and will take action closer to our event if social distancing measures will be necessary. We work closely with our partners and will follow all industry and kitemark standards to ensure that your visit to our new space is both enjoyable and safe for everyone. Where is the best place to sit? The Poly has raked seating that is accessed via steps and rows of padded seating . Please be advised the space has limited accessible and has lots of steps on entry. Our team are happy to give advice if you have specific seating needs, please drop us an email. I am disabled and require a companion to attend the theatre, what is your Access policy and how do I book?" We understand that some of our customers require assistance to allow them to attend a performance. To ensure this is a possibility, we are pleased to offer a free ticket for an essential companion whenever required. The first time you make use of this service you may be asked to show proof of eligibility. We accept the CEA Card, a national card scheme developed for UK cinemas by the UK Cinema Association (UKCA. Free companion tickets are reserved for those who would not otherwise be able to attend. An essential companion must have the ability to assist the customer in the event of an evacuation or other emergency. What is your screening policy? We do not allow any videos to be taken during screenings. The preview screening will have security - this is requested by the distributor and security staff will be in the screen with night vision goggles. Photo's are allowed of Directors but please do use a flash during a Q&A we ask that you are considerate to our visitors. What are your return and refund policies Under normal circumstances, tickets are non-refundable. If the event you were attending is sold out and we are able to re-sell your tickets to another customer, we can issue you a credit note for the ticket price only (excluding any card transaction & booking fees) Do you have any offers and discounts available? Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings. We can not offer group discounts for students or young people as these are already discounted tickets. I am disabled and require a companion to attend the theatre, what is your Access policy and how do I book?" We understand that some of our customers require assistance to allow them to attend a performance. To ensure this is a possibility, we are pleased to offer a free ticket for an essential companion whenever required. The first time you make use of this service you may be asked to show proof of eligibility. We accept the CEA Card, a national card scheme developed for UK cinemas by the UK Cinema Association (UKCA. Free companion tickets are reserved for those who would not otherwise be able to attend. An essential companion must have the ability to assist the customer in the event of an evacuation or other emergency. Read more about / apply for an CEA card here. I have a specific accessibility query. We are committed to meeting the requirements of disabled people. We want you to get the best from your workshop. If you have an impairment and/or learning difficulty such as physical impairment, mental health difficulty, medical condition, hidden disability, please let us know by emailing info@mormediacharity.org, stating whether you would like to discuss this over email or telephone. We will contact you in confidence to discuss any support you may need. Access Accessible Screenings Paris, Texas Dir Wim Wenders Sun Nov 24, 2024 1:30 PM @ The Poly (RS) Everyone is welcome to these screenings, but we have made them especially suitable to those who find standard screenings overwhelming such as autistic people, those with Dementia, those with sensory issues. We will make the following adjustments: The house lights are left on low and the sound turned down a little. There are no pre-feature adverts or trailers and the film starts at the time advertised. During the film, you can use non distracting aids such as personal devices, ear defenders, fidget spinners and chewable jewellery etc. Tickets When the Light Breaks Mon Nov 18, 2024 5:00 PM @ The Poly (CS) Subtitled screenings that display the dialogue as well as additional auditory information on the screen as marked as captioned subtitled screenings Live captions will display spoken dialogue in real-time. will be added to any Facebook Live interviews & events with closed captions and a downloadable text file will be added after the event. When the Light Breaks No Other Land No Other Land Sat Nov 23, 2024 12:15 PM @ The Poly (CS) FAQ's Frequently asked questions Tickets Venue Screenings Returns & Refunds Discounts Accessibility How do I use my ticket? E-tickets will be sent out on confirmation of your booking. Please keep your email confirmation as proof of booking, you can show the E-ticket, QR code. You don't need to print your ticket - let's support low waste! How much do tickets cost and which one should I get? How much do tickets cost? General Adults £8.50 Seniors £7.50 Children, Students, Under 25's £5 Preview screenings Adults £9.50 Seniors £8.50 Children, Students, Under 25's £7.50 Gala Screenings Adults £14.00 Seniors £11.50 Children, Students, Under 25's £9.50 Pay what you can tickets run from £2 - £10 Do you have any offers and discounts available? To book tickets for the best seats and prices, we recommend you book early. We can offer group discounts for groups bookings - so please bring your friends ! Groups of 10+ receive 15% off for all adults, seniors, preview / gala / special screenings Groups of 5+ receive 10% for all adult, seniors, preview / gala / special screenings Contact the office to get your check out code info@cornwallfilmfestival.com (please put Group codes in the title) We can not offer group discounts for students or Young people as these are already discounted tickets What is Pay what you can? Pay what you can is our innovative affordable ticket scheme, run successfully over the last 2 editions of the festival. We've found the biggest barrier to attending events is not being able to afford the ticket price. In order to overcome that barrier, we're removing the ticket price and asking audiences to simply pay what they can so we can welcome more people to the festival experience and inspire wider audiences. Here are some handy prompts At the £2 - I have no access to savings - I am under or unemployed - I can not afford time off and rarely afford clothes, cinema & books At £4 - -I often stress about how to pay my bills & don't always achieve them - I am employed but don't have regular hours - I can take time off and do go on holidays & occasionally buy new items At £8 - I can comfortably meet my bills and needs - I own private transport and can afford to fuel it - I have access to savings and have my own property or choose where I rent Can I get a festival pass ? Not this year sorry we have too many events to manage a pass - but please tell us if we need to sort this out for next year ! we are always open to suggestions. Can I book in person? Yes, for events at The Poly, please visit the venue, or call the box office on 01326 319461 What happens if I lose my tickets? Our Box Office team will be happy to help you. Just go to the counter before the event. You may be required to confirm your name, address and payment method. Could you send me a brochure? We are currently sending most of our communications via email & social networks, however, we can post you a flyer of events. If you'd like to receive news about events and other programmes please join our mailing list. If you have any queries you can contact our Office team at info@cornwallfilmfestival.com Monday to Friday, 10am – 4pm. Do you ask for proof of income for Pay What You Want tickets? We WON’T ask you for your ID,proof of earnings or anything else! All we ask is your honesty! Everyone is welcome for an inclusive, relaxed afternoon screening of short experimental films from emerging film-makers based in Cornwall, offering us a glimpse into the artist’s filmmaking process. Working in animation, phytography and 360 video - expect lobsters, techno stones, moss and more! This screening will be conversational with the opportunity for artists to share their ideas for developing work and for audience questions. Experimental Shorts: A New Lens Saturday, November 30, 2024 2:00 PM GMT Kresen Kernow, Redruth Register Ask First Name Last Name Email Message Thanks for submitting! Send Have a specific question? If you have a specific question or have special requirements, please feel free to ask through our form or email info@mormediacharity.org .

  • ​In Focus Asher Rosen Filmmaker profile

    ​Asher Rosen Filmmaker profile Cornwall Film Festival 2025 Filmmaker profile A profile of the selected filmmmaker from our compertition. Feature films from around the globe. See all the screenings at this year's edition of the Cornwall Film Festival. STEP INTO THE FRAME AND EXPERIENCE STORIES FROM ALL CORNERS OF THE GLOBE Cornwall Film Festival is a global platform inviting filmmakers from every corner of the world to showcase bold, captivating and innovative stories. BOOK TICKETS Press Blog Merch Store TOO MUCH: MELODRAMA ON FILM Talks CFF 25 Industry 2025 FAQ's & Access 2025 Diary & Tickets 2025 Black Tide In Focus 2025 Selected films 2025 Short Films home 2025 FILMMAKER PROFILE SMALL GODS 5 PM | MONDAY 17.11.25 | THE POLY While struggling to provide for her son, an indigenous single mother falls for a charismatic street performer. But when a crisis strikes, it threatens to rip their nascent family apart… Director Asher Rosen Writers Chimpaye Florence Mariserena , Bizimana Hussain, Luke Eubule Reilly, Asher Rosen Producers Andreas Roald, Dan Wechsler, Ian Prior, Jack Pollington, Cimpaye Florence Key Cast Bizimana Hussain & Turinayo Jotham Dir Asher Rosen | 2025 | 1h 36 mins | Drama, International | CFF12A Film gala followed by a Q&A with the director. BOOK TICKETS DIRECTOR BIOGRAPHY ASHER ROSEN Asher Rosen is a filmmaker based in London and Kisoro. Asher began his career as a screenwriter, developing projects with production companies such as The Forge Entertainment, Range Media Partners, and Gaumont UK. In 2021, Asher directed his debut short film, MEAT, produced by Scala Productions. Meat won multiple awards, playing at numerous BAFTA/Oscar qualifying festivals and culminating in a selection for the César Académie's ‘Golden Nights’ Programme. Asher's second short film THE RABBI'S SON (2022) won the Pears Short Film Fund, as well as playing at a number of BAFTA/Oscar qualifying festivals including Athens International Film Festival. In 2023, Asher began production on SMALL GODS, produced by Sovereign Films. Expanding on Meat, Small Gods is a docufiction drama inspired by the lives of its lead actors and wider Batwa community. STATEMENT Flo first mentioned the concept of small gods (ibigirwamana) the very day we met. Like almost all of the indigenous Batwa tribe, Flo has no access to her family’s ancestral lands, which were stolen to make way for conservation and tourism. When asked what the Batwa miss most from their old home in the forest, Flo mentioned animist deities attached to specific trees, caves, or water bodies. She referred to them as small gods. As we began building a narrative around Flo’s experiences, the concept suggested further resonances. The writing process started around the dinner table and continued late each night, as the cast recalled events from their lives. The whole crew was immediately captivated by the rich and epic drama with which the tales were told. From their own perspective, they were heroes fighting for their dignity, but to an uncaring outsider they were no more than street performers. Stylistically, Small Gods aims to depict their lives on a canvas just as mythic as the one they narrated. In doing so, it risks running against the traditions of documentary-infused cinema, in which first-time actors are rarely asked to plumb the same theatrical depths as trained professionals. Fortunately there was no doubt in my mind that they were up to the task. Flo and Bizi have, after all, been acting their whole lives - performing songs, dances, or impressions for the tourists that now flock to see Uganda’s gorillas. In the case of Bizi, this is how we crossed paths. Known among his friends as ‘monkey man’, Bizi will frequently drop to his knees and perform his gorilla impression at the sight of a foreigner. One such foreigner couldn’t get over the mis-match between his deep well of talent and his stature by the roadside. Making the film was a stand against this injustice. By taking the topic of performance as a thematic subject, platforming the casts’ overlooked talent, and anchoring the camera in their perspective, the hope was that we could somehow defy and defeat the view of tourist, he who comes for the gorillas but passed Bizi by… Having worked with the cast since our first short film together in 2021, I have been lucky enough to witness the transformation Small Gods has made in their lives. With the immense help of the production team, we have not only been able to purchase her and Bizi their own plots where they now grow food and graze their new cattle, but also build safe sturdy homes for them to live in for years to come. After three years in school, Tuyi now speaks English better than I speak Rufumbira, and I hope he will get the chance to answer questions about the film directly. I am forever grateful to have been able to enable this process - it all feels like a small miracle. Perhaps we are indebted to the small gods… IN FOCUS EXPLORING THE ART STORY TELLING FOR SCREEN Each year, Cornwall Film Festival celebrates exceptional emerging talent discovered through our competition entries. From hundreds of submissions, one filmmaker is chosen for our In Focus spotlight — recognising outstanding creativity, craft, and originality. This special selection highlights a filmmaker whose work stood out for its distinctive voice and cinematic vision, representing the very best of independent storytelling. The In Focus feature offers a platform for audiences and industry alike to discover new talent making an impact across the UK and beyond. Our 2025 In Focus filmmaker is Asher Rosen, whose film SMALL GODS captivated our jury and affirmed the importance of supporting bold, boundary-pushing voices in contemporary cinema. Enter 2026 Competition now STORIES FROM ALL CORNERS OF THE WORLD - OUR FUNDERS & PARTNERS

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